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Franz Lehar

1870 - 1948

 

Franz Lehar short biography

 

One of the most popular composers of operetta, Franz Lehar had an early recognition in 1902 in Vienna where Lehar composed most of his works. Lehar is credited in reviving the operetta genre. Lehar wrote forty operettas. His best and most popular creation is Die lustige Witwe (The Merry Widow), first staged in Vienna in 1905 and widely performed ever since.

 

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Lehar Piano sheet music download on EveryNote.com

 

Sheet music downloads - Lehar - Die Lustige Witwe



Opera |

Lehar - Die Lustige Witwe

Opera

All Arias

Arias

Act 1: 3b. Mazurka: Hab in Paris noch nicht ganz
Act 1: 4. Auftrittslied: O Vaterland
Act 2: 7a. Vilja-Lied: Es lebt eine Vilja
Act 2: 11a. Romanze: Wie eine Rosenknospe

All Ensembles

Ensembles

Act 1: 2: Duet: So kommen Sie
Act 1: 5. Duet: Ja, was - ein trautes Zimmerlein
Act 2: 8. Duett: Lied vom dummen Reiter
Act 2: 9. Marsch-Septet: Wie die Weiber man behandelt
Act 2: 10. Spielszene und Tanzfuett
Act 2: 11. Duet und Romanze
Act 3: 15. Duet: Lippen schweigen

All Scenes

Scenes

Act 1: 1. Introduktion: Verehrteste Damen un Herren
Act 1: 1a. Ballmusik
Act 1: 2: Duet: So kommen Sie
Act 1: 3. Entree-Lied: Bitte, meine Herren
Act 1: 3a. Ballmusik
Act 1: 3b. Mazurka: Hab in Paris noch nicht ganz
Act 1: 4. Auftrittslied: O Vaterland
Act 1: 5. Duet: Ja, was - ein trautes Zimmerlein
Act 1: 6. Finale: Damenwahl
Act 2: 7. Introduktion: Tanz und Vilja-Lied
Act 2: 8. Duett: Lied vom dummen Reiter
Act 2: 9. Marsch-Septet: Wie die Weiber man behandelt
Act 2: 10. Spielszene und Tanzfuett
Act 2: 11. Duet und Romanze
Act 2: 12. Finale: Ha! Ha! Wir fragen
Act 2: 12a. Entr’act (Vilja-Lied)
Act 3: 12b. Zwischenspiel
Act 3: 13. Tanz-Szene
Act 3: 14. Chanson: Grisitten-Lied
Act 3: 14a. Reminiszenz: Dageh’ ich zu Maxim
Act 3: 15. Duet: Lippen schweigen
Act 3: 16. Schlussgesang

Baritone

Ensembles

Act 2: 9. Marsch-Septet: Wie die Weiber man behandelt

Scenes

Act 1: 1. Introduktion: Verehrteste Damen un Herren
Act 2: 9. Marsch-Septet: Wie die Weiber man behandelt

Mezzo-soprano/Alto

Act 1: 1. Introduktion: Verehrteste Damen un Herren
Act 2: 12. Finale: Ha! Ha! Wir fragen
Act 3: 16. Schlussgesang

Tenor

Ensembles

Act 1: 2: Duet: So kommen Sie
Act 1: 5. Duet: Ja, was - ein trautes Zimmerlein
Act 2: 8. Duett: Lied vom dummen Reiter
Act 2: 10. Spielszene und Tanzfuett
Act 2: 11. Duet und Romanze
Act 3: 15. Duet: Lippen schweigen

Scenes

Act 1: 2: Duet: So kommen Sie
Act 1: 3. Entree-Lied: Bitte, meine Herren
Act 1: 5. Duet: Ja, was - ein trautes Zimmerlein
Act 1: 6. Finale: Damenwahl
Act 2: 8. Duett: Lied vom dummen Reiter
Act 2: 10. Spielszene und Tanzfuett
Act 2: 11. Duet und Romanze
Act 2: 12. Finale: Ha! Ha! Wir fragen
Act 3: 14. Chanson: Grisitten-Lied
Act 3: 14a. Reminiszenz: Dageh’ ich zu Maxim
Act 3: 15. Duet: Lippen schweigen
Act 3: 16. Schlussgesang











































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